Pretty much every fall, Twitter becomes awash with jokes about Billie Joe Armstrong’s sleep habits. “Wake Me Up When September Ends” – American Idiot (2004) Green Day is a formative band for many of us, whether you were there when they were still called Sweet Children or whether you were captivated by their grand middle finger to George W. The breadth of their catalog aside, this ranking was difficult because the line between “best song” and “favorite song” quickly blurs when it comes to this band. I think I speak for everyone who pitched in on this list when I say narrowing down their best songs was nearly as painful as (ahem) pulling teeth. They’ve scaled not one but two commercial peaks in a storied, 13-album career that’s experimented with form (rock operas, album trilogies, Broadway musicals) and subject (love, politics, masturbation). Also, check out the new “Punk Is Dead, Long Live Punk!” T-shirt at the Consequence Shop.īillie Joe Armstrong and Mike Dirnt formed Green Day in 1986 - that’s over 35 solid fucking years of punk, pop punk, punk rock, rock, pop rock, and all the strange detours in between. Top Songs is a feature in which we definitively handpick the very best songs in an artist or band’s catalog. “When you’re going to describe to someone who’s not there what’s going on, you need background and stories ⦠you’ll never get that if you’re sitting in (front of a) monitor,” longtime sports broadcaster Mark Hebscher said from Toronto.This article originally ran in 2016, but we’re dusting it off in celebration of Billie Joe Armstrong’s birthday on February 17th. Media members can work contacts and develop trust as they get to know everyone better.įace time can be particularly invaluable, especially on the road where things tend to be more relaxed and access can be better. In-person coverage provides opportunities to watch batting practice, fielding drills and catch up with athletes in the dugout. It’s also much more difficult to provide a natural call of the game when your eyes are bouncing between screens in a studio rather than staring out at the diamond. “You’re always gathering information and stories and things that you share with people on the radio.”īroadcasters who aren’t on-site can miss opportunities that only in-person staffing can provide. “Then you go to the umpires’ quarters and have a visit with them or maybe (discuss) a call that happened the day before. You’re getting a glimpse of what happened the day before and what might happen in this game,” Howarth said in a recent interview from Toronto. “You’re at the batting cage and you’re visiting with players. Howarth, who called home and away games over three-plus decades in the Blue Jays’ radio booth, said it’s simply “essential” to be on site when a team is on the road. “So I’m just not qualified to give you a good answer on that one.” “I can’t tell you that I really have discerned a significant difference in part because I’m not sure which clubs are doing what. “Honestly I listen to baseball on the radio a fair amount actually,” Manfred said. The subject was raised during Major League Baseball commissioner Rob Manfred’s media availability at the Blue Jays’ complex late Thursday afternoon. This advertisement has not loaded yet, but your article continues below.
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